French Country · Encyclopedia · From the Sheepfold to the Dairy
Butter churn
Churns turned cream into butter by steady agitation. The book shows a large Provençal farm churn in walnut, smaller family churns hollowed from a single trunk, and a Savoyard fir churn worked by a crank.
French: baratte · Provence and Savoie · walnut, fir
At a glance
- Types: plunger churn, dug-out family churn, crank churn
- Materials: walnut, fir, wrought-iron hoops
- Period of the examples shown: nineteenth century
- Collecting note: small crank churns are fragile and now uncommon
What it is
A baratte is any vessel in which cream is agitated until the fat gathers into butter. The commonest country form is the upright plunger churn, a tall coopered barrel with a lid through which a wooden dasher is pumped up and down.
The large Provençal farm churn in the book is made of wooden staves held by wrought-iron hoops. Working its handle with regular strokes until the cream broke took real vigor.
Family churns and crank churns
In the same region, smaller churns called "family" churns were hollowed directly from a tree trunk in one piece. They made butter for the household rather than for market.
The Savoyard example is only about thirty centimetres high and dates from the late nineteenth century. Its lid carries a crank connected to a simple paddle mechanism inside, which made the work much lighter for the farmer's wife. Being more fragile than the big plunger churns, few have survived.
Collecting and using one today
Check that the staves are sound and that the hoops have not cut into the wood. A dasher or crank that is original to the churn adds a great deal to its interest. Signs of long use, such as a worn rim or a polished handle, are welcome; recent dark stain over the whole surface is not.
A tall churn stands well at the end of a kitchen run or beside a fireplace, and smaller ones make good umbrella or walking-stick stands.
Source: Les Trésors de France: vieux métiers et objets d'autrefois (Éditions Rustica, Détours en France collection, 1995), pp. 99–103, with general background on the object. The book was published in 1995, so workshops, people and figures are described as they were then. Regional names and dates are given as the book records them; a style or a region of origin does not by itself date an individual piece.