French Country · Encyclopedia · Old Trades
The edge-tool maker
Bernard Solon, great-grandson of Louis Alexis who founded the Orléans workshop in 1872, was the only edge-tool maker in France still forging his tools from a plain iron bar, with hammer, anvil and a foot-driven power hammer.
French: Le taillandier · Orléans, Loiret
At a glance
- Workshop: maison Alexis, Orléans, founded 1872
- Starting point: an iron bar about 30 cm long
- Up to 24 heats and 5 hours for one tool
- Durability: around thirty years
A trade of cutting tools
The taillandier makes tools with a cutting edge: hoes, weeders, billhooks, adzes. The trade was so rare that the local Chamber of Trades no longer listed it. Bernard Solon, apprenticed at fifteen, took over from his grandfather in 1956 and called himself a dinosaur.
At the forge
Two forges glow under a glass roof, now fanned by a small electric fan instead of the old bellows. Every gesture counts: seize the metal with tongs, lay it on the anvil, knock off the scale, then shape the rough tool under the martinet, a foot-operated power hammer, with a socket for the handle on one side and the blade on the other. Sockets are opened on the martinet and formed on a mandrel; hoes are forged in pairs and separated with a mallet.
Tools made
Besides classic adzes, planting picks, weeders, carpenter's drawknives and hoes, he made regional tools and professional ones: bark scrapers, an arborist's knife he designed to score fruit-tree bark, a garden knife shaped like a spoon for potting. North of the Loire tools are pulled and have curved handles; to the south they are pushed and have straight ones. He bent chestnut handles himself.
A disappearing craft
Grandfather Alexis used to say that when the fire burned well it was heating "lovingly". Solon dreamed of opening a museum of his trade so that it would not end up in the cemetery of the iron age.
Source: Les Trésors de France: vieux métiers et objets d'autrefois (Éditions Rustica, Détours en France collection, 1995), pp. 9–95, with general background on the object. The book was published in 1995, so workshops, people and figures are described as they were then. Regional names and dates are given as the book records them; a style or a region of origin does not by itself date an individual piece.