French Country · Encyclopedia · Old Trades
The hatter
Chazelles-sur-Lyon has made true felt hats since the sixteenth century. In 1868 it had forty-three workshops and 1,200 workers; by the 1990s only the Écuyer-Thomas workshop remained, revived for haute couture.
French: Le chapelier · Chazelles-sur-Lyon, Loire
At a glance
- Place: Chazelles-sur-Lyon, Monts du Lyonnais
- Fiber: wild rabbit or hare fur
- Key steps: bâtissage, felting, fulling, castorinage, appropriage, bichonnage
- Blocks: lime or walnut
Forming the hood
The fur is blown to remove the coarser guard hairs. In the bâtissage, which lasts under a minute, a jet of hot water draws the fur onto a perforated metal cone; the fine, wet veil must be removed without tearing, fragile as a spider's web.
Felting and fulling
Hoods are wrapped six at a time in a damp cloth and rolled hard on a steam-heated cast-iron table. They are then fulled in a bath of water and sulfuric acid under pressure and rotation until rigid, thicker and shrunk by two thirds, before dyeing and drying.
Shaping
The hood is stretched with steam, its brim flattened between rollers, sanded and its hairs raised with the rough belly skin of a dogfish, then sheared close: the castorinage. In the appropriage it is stretched over a wooden block, tied, and molded with an iron. Dozens of blocks, from tricorn to bowler, capeline and borsalino, are carved in lime or walnut, the only woods that resist steam.
Finishing and memory
The final ironing that restores the luster is called the bichonnage. Women then line and trim the hats with ribbons. Legend says the Templars discovered felting from camel hair in their boots. An ecomuseum in Chazelles tells the story of felt.
Source: Les Trésors de France: vieux métiers et objets d'autrefois (Éditions Rustica, Détours en France collection, 1995), pp. 9–95, with general background on the object. The book was published in 1995, so workshops, people and figures are described as they were then. Regional names and dates are given as the book records them; a style or a region of origin does not by itself date an individual piece.